The 7150 nuns who declared Trumpcare a moral outrage

Yesterday a friend sent me a Washington Post opinion piece about 7150 'socially minded nuns' declaring Trumpcare a moral outrage.

The article was written by E.J. Dionne, who's well known to Australians because he's often interviewed on the ABC's Radio National.

The 7150 nuns who fought against Trumpcare - from the Washington Post

He praised the three Republican senators who thwarted Trump's plan to deprive millions of Americans of health coverage. But also mentioned the nuns' much less publicised intervention, which labelled the Senate GOP's core proposal 'the most harmful legislation for American families in our lifetimes'.

The nuns cited Pope Francis' insistence that 'health is not a consumer good, but a universal right, so access to health services cannot be a privilege'.

Dionne's point was not to argue that the nuns influenced the outcome, but that most people are not aware of how wrong religious stereotypes can be.

'This is important because religion and the political standing of believers are badly harmed by the reality that so many Americans associate faith exclusively with the conservative movement. Large numbers of young people are abandoning organised religion (and particularly Christianity) altogether. A key reason: They see it as deeply hostile to causes they embrace, notably the rights of gays and lesbians.'

It's not widely realised that some of the strongest arguments for marriage equality can be found in religious teaching about social justice. As Dionne points out, Pope Francis is insistent that the Church be associated with justice and mercy rather than cultural warfare.

I think that it can be argued that the Australian Catholic hierarchy's opposition to marriage equality is a hangover from the cultural warfare of the previous popes and that the position of the bishops is essentially out of step with the present pope.

Calls to rein in ABC and SBS - from The Australian

I believe that this and many other debates are wrongly characterised as being between secular and religious interests. Rather it's entrenched interests (such as big business) against ordinary people who rely on human rights promotion for their basic survival.

That's why the Murdoch press waged a successful campaign to discredit and remove the head of the Human Rights Commission Gillian Triggs. Yesterday the issue they chose to give voice to was the call from commercial media chiefs to reign in the public service broadcasters ABC and SBS, which take human rights reporting seriously.

It's regrettable that a surprising number of people continue to believe that religious interests line up behind the conservative establishment against the so-called socialists of the left, who are thought to be godless.

The Catholic Bishops feed that perception when they demonise the Greens, usually for opposing their own institutional interests such as Catholic education. Even taking into account the Greens' positions on issues such as voluntary euthanasia, I would suggest that the Greens are far more in line with the teaching of Pope Francis and the Catholic Church than the conservative parties that most people instinctively link to religious positions.


Links: Dionne ABC/SBS

Morbid fascination for the recently deceased

Yesterday I enjoyed Eureka Street's article about a writer exercising his 'morbid fascination for the recently deceased' by reading the death notices in the newspaper.

'[They] offer up the real inhabitants of our world - our neighbours and bosses, our friends and partners, our mothers, our fathers, our grandparents... These people are not the airbrushed celebrities, political blowhards or violent predators that often adorn the front pages.'

Sydney Morning Herald Death Notices

I have a similar morbid fascination. In today's Sydney Morning Herald death notices, I read about Barry. He was 'a unique man who faced life with positivity, determination and a smile that could light up a room'.

He will be 'greatly missed', but the notice promises that his family and friends will 'remember his wacky jokes, shaggy dog stories and universal theories'.

I wish that I too could enjoy some of Barry's jokes, stories and theories. But death notices don't go beyond the bare bones of the person's life. This kind of detail is shared only if the person is famous, and it's in the obituaries rather than the death notices.

SMH front page

Unusually today's obituary is on the front page because of its particular poignance. Its subject is not an airbrushed celebrity but the much loved blind Aboriginal singer Dr G Yunupingu, who died this week at the age of 46.

The obituary quotes a music critic's estimation that Yunupingu possessed 'the greatest voice this continent has ever recorded', one 'so beautiful and so emotion-laden that it invest[ed] every song with a passion and pathos which [were] quite overwhelming'.

In a way the complementarity of having both the paid death notices and the featured obituaries works well. Unfortunately, in terms of accessibility it does not fare well in the transition from its more intuitive presentation in print to obscurity in the now more significant online versions of the newspapers.

Sydney Morning Herald Obituaries

The death notices are very difficult to find, at least in the Sydney Morning Herald. You need to scroll to the bottom of the home page and click on 'Tributes' under 'Classifieds'. Sadly the message of this is that the deaths of ordinary people don't matter.

But the same can also be said for the lives of the famous that are written up in the obituaries. Curiously you need to click through to the 'Comment' section and go through to the second tier of the submenu there to find the 'Obituaries' link.

Worse than that, the obituaries page - headed 'Timelines' - no longer appears in the print edition every day. But only when there is space to fill. The Herald admitted as much to me when I called them a year or two ago to ask why they were not appearing every day as they had in the past. I was told they were not a priority: 'We don't always have space for the obituaries'.


Links: morbid notices obituaries

ABC set to remove punch from religious programs

The Australian newspaper is always looking for an excuse to attack the ABC. But it is on more solid ground than usual this week, with articles yesterday and today criticising moves by management to replace the specialist editor for religion and ethics Jane Jeffes with a non-specialist.

Specialisation is what gives public service broadcasters their punch. It distinguishes their output from the infotainment programming of their rivals, at least by degree.

ABC Religion cuts from The Australian

Specialists are equipped to go beneath the surface and give the public an understanding of issues they would not otherwise get. For instance how to distinguish Muslim fundamentalists from those who are simply trying to live their faith in the Australian community and maintain their heritage.

ABC management has been trying to kill its religion specialisation for at least three decades. I remember battles from my own time there, when I worked in ABC religious radio for four years from 1988. There was a familiar pattern in which religious programs were threatened, church and other religious leaders would vent their outrage, and there was subsequently a reduction in the scale of planned cuts.

Can that happen again this time? Probably not.

With the sexual abuse scandals and the recent Census statistics charting a significant rise in the number of non-religious Australians, church and other religious leaders don't have the authority they once had.

However ABC management would be doing Australians a disservice if it exploited this as an opportunity to kill specialist religious programs. For the religious unit services non-religious 'searching' Australians as much as it does those who are formally religious.

It is been doing this for years. In 1987, the visionary head of the religion Dr David Millikan commissioned Caroline Jones to present the radio program The Search for Meaning.

It was a departure from traditional religious programming that had a wider impact. After it ended in 1994, Caroline was invited back to ABC TV to help foster a reflective, values-based approach to news and current affairs programming in the long-running Australian Story.

This more inclusive style was also evident some time ago in the coupling of religion and ethics in the brief, and formal designation, of the 'religious' programming genre.

While the article in The Australian seems to suggest that this represents a weakening of the religious programming strand, I believe the opposite is true. Indeed the study of philosophy and ethics was an integral part of my Jesuit religious training, as it is in other Catholic and some Anglican traditions.

The idea is that it helps to remove religion from the religious ghetto. The participation and leadership of specialists ensures that there is an informed conversation between religious and non-religious Australians. That is why the ABC needs a specialist to oversee its programs in this area.


Link: yesterday today

Cardinal Pell's preference for spin doctors over truth tellers

Cardinal George Pell told the media in his short but candid statement yesterday that he was returning to Australia to 'clear my name'. He repeated that phrase, 'clear my name'.

That came after his double barrelled opening reference to the media's 'relentless character assassination - relentless character assassination'.

He did not say that he was coming to Australia so that justice could be achieved or truth uncovered. That was left to Pope Francis, whose reference to the 'foster[ing of] the search for truth' was conveyed immediately after Pell's statement.

The cardinal did not mention truth or justice.

Cardinal Pell at Vatican media conference

What he said at the media conference was perfectly consistent with his attitude and actions with regard to the media all along. Arguably an indifference to, or even fear of, their role in the search for truth in the context of justice.

The evidence for this is in his habitual hostility to media practitioners who see their role as uncovering and reporting the truth regardless of the consequences for the good name of a person or an institution. He was true to form when he began yesterday's statement with a criticism of the role of the media in the laying of charges against him.

One of his first actions after becoming Archbishop of Melbourne in 1996 was to close the Archdiocese's Communications office.

Over the years, Catholic Communications had gained considerable respect, particularly from its secular media peers, for its practice of objective journalism in radio and TV production. That is where I learned my first principles of journalism and media practice in the 1980s.

The sacked director of Catholic Communications Peter Thomas had a Vatican II view of the 'pilgrim' church of the people. In media terms, this translated into practice that owed a lot to that of public service broadcasters like the ABC and the BBC.

Pell's ecclesiology represented a retreat from Vatican II to a more 'top down' hierarchical model. For him, the Church was more like a corporation that was best run along business lines. That is why he replaced Catholic Communications with an outsourcing of the work to corporate communications firm Royce Communications. I would suggest that this represented a decisive and deliberate shift from truth tellers to spin doctors.

Cardinal Pell's actions and attitudes towards the media over the years have demonstrated a lack of appreciation of its role in truth telling. If, as he stated yesterday, he is innocent of the 'false' charges laid against him, it is in his interest not to condemn the truth telling media but to trust and embrace it.


Link: statement

Moral combatants in war

The Sydney Film Festival's notes on the documentary Last Men in Aleppo describe it as 'an unforgettable and visceral portrait of White Helmet volunteers toiling amidst the rubble of the besieged Syrian city'.

While viewing it, I found myself questioning the point of a visceral account of a war, in which emotions take precedence over the facts. Was the film presenting truth or fiction, or perhaps something in between?

Last Men in Aleppo

A few months ago, I'd read of accusations that the White Helmets had passed on false information about the Idlib chemical weapons attack because they wanted to see the end of the Assad regime.

The attack was being described as a propaganda event staged by the 'pro-western' White Helmets. I was shocked that an organisation charged with providing humanitarian assistance could be accused of taking sides in a war.

That is apparently quite common now. As it is with news organisations, which used to pride themselves in reporting facts rather than passing on propaganda.

I remember there was disquiet at the embedding of reporters with elements of the military during operations in the Iraq War. Now this kind of thing has become the norm, and we have to keep reminding ourselves that war reporting cannot be trusted to the extent that it could in the past.

Yesterday I listened to an interview with the former BBC war correspondent Martin Bell, whose book War and the Death of News was released earlier this month.

Martin Bell - War and the Death of News Reflections of a Grade B Reporter

He believes there is little hope for truth in war reporting, and in journalism in general. 'We don't have a clue what's going on ... As technology advances, journalism retreats.'

The problem is that Bell himself was influential in the unravelling of objectivity in war news reporting.

A few years ago I was studying journalism and remember his championing of what he called the 'journalism of attachment' while he was reporting the Bosnian War in the 1990s.

This was defined as journalism which 'cares as well as knows'. War reporting as we knew it had been an amoral activity, which is not surprising given that it sought to be objective and dispassionate. But Bell argued that it needed a moral purpose.

At first glance, I liked the journalism of attachment. But then I began to wonder what journalism is about if it is seeking something other than the whole truth. It is as if we are on a slippery slope towards what is now referred to as 'fake news'.

Marie Colvin

Practising 'attachment', war journalists - like the White Helmet humanitarian workers - become moral combatants and subject to strikes from the opposing side. That explains the death of the celebrated Sunday Times journalist Marie Colvin and her photographer while covering the siege of Homs in 2012, allegedly targeted by Syrian artillery fire.

Colvin said she considered her job was to shine a light on 'humanity in extremes, pushed to the unendurable... I have never been interested in knowing what make of plane had just bombed a village.' But this made her a player in the war rather than a resource that can be respected by both sides.


Links: Last Men interview book Attachment

Caution on social media

Before I went away for Easter, I was at a gathering at the ABC and having the typical conversation about the future of the ABC. The person I was speaking to suggested the ABC was 'becoming very one-dimensional'.

I was not entirely sure what she meant. But I think it might have been a comment on the influence of ratings on programming decisions. However it could also be said that it is the ABC's job to reflect Australian society and that we are becoming a very one-dimensional nation.

Herbert Marcuse  - One Dimensional Man

This is self-evident in the present blowback against our celebration of diversity and our tolerance of those who are not part of the white Anglo Saxon heterosexual majority.

The dominant political culture now regards multiculturalism as a dirty word. We're also seeing the cancellation of initiatives such as the Safe Schools program, which seeks to educate young people to understand and respect gender diversity. The NSW education minister announced this during Easter.

I was curious to know more about where the 'one-dimensional' critique originated, and I came across a summary of the German-American philosopher Herbert Marcuse's 1964 classic One-Dimensional Man. The essence of his argument was that consumerism was becoming a form of social control that was taking away our sense of individuality.

I have a sense that if Marcuse was writing today, social media would be the main target of his criticism.

Although I've always been an enthusiast for technological innovation, my gut instinct has been to minimise my use of social media, even though I knew it would be detrimental to my career.

Because it works hand in hand with the advertising industry, social media forces us to commodify the various aspects of our lives. It pigeon-holes our identity and diminishes the multi-dimensional nature of our own particular human existence.

Facebook graphic

Crucially it takes away our privacy, which is the sanctuary that fuels us to spring into life as our own person rather than a clone of some media celebrity. In addition, I think social media can leave little for others to imagine and discover about us, making it less likely that they will be more than superficially captivated by us.

This accords with the argument I read in an original 1964 New York Review of Books article on Marcuse's book:

'The concept of "one-dimensional man" asserts that there are other dimensions of human existence in addition to the present one and that these have been eliminated. It maintains that the spheres of existence formerly considered as private (e.g. sexuality) have now become part of the entire system of social domination of man by man, and it suggests that totalitarianism can be imposed without terror.'

I think it goes without saying tht we should be concerned that social media is becoming the lifeblood of the ABC, even though it is a necessary part of engaging audiences.


The pleasure of paying for what we value

Aside from watching TV or listening to the radio, past generations had to pay for what they consumed. But the internet has given today's young people the idea that content is something you get for free.

Whether it's news, music, YouTube videos or other entertainment, it's all there at your fingertips. Why pay when you don't have to? Getting around paywalls can be very easy.

Pay Wall

My answer is that paying is a pleasure if I value the product that I am purchasing. I am honouring the producer of the product because I believe they are worthy of my vote of confidence.

This applies not only to what we get on the internet but to all goods and services. About 15 years ago I remember telling a friend that I had just bought hair clippers and would never again need to pay the barber for a haircut.

She looked dismayed and worried that I would be hurting my barber financially and also denying myself the human interaction that comes from paying for personal service.

After a few years, I did go back to the barber and discovered that handing over my cash to him was not so painful after all. In fact it was a pleasure to pay for a job well done.

That sense of pleasure in paying for a service that I value is something that remains with me.

I feel good when I pay my annual subscription for The Saturday Paper because I like their journalism. But I have mixed feelings when I pay Fairfax for the Sydney Morning Herald because their management has made so many decisions that I've felt have devalued journalism.

I pay for the New York Times but I wouldn't pay for The Australian or the Wall Street Journal.

When I am registering for a free service on the internet and they ask permission to access my usage statistics so they can improve their product, I think about it. If I like the company and the product, I say yes, sometimes with pleasure. Giving them access to my data is one way of paying for the service.

There are companies I don't particularly like or trust, such as Google. Their services are free, but often I will prefer to pay for an alternative, especially if they're a small business with personal service. That's why I pay $US5 per month to a little known company called Posthaven, for the blog platform I use in preference to Google's free Blogger.

The pleasure of paying for things we value presumes one thing. That we have the money to pay.

It is true that all of us have some money and we can and need to cut our cloth to suit our budget. But the fact remains that the generation of young people who don't want to pay for content online often find it difficult to pay because they don't have the secure employment we took for granted.

The New York Review of Books and other upstart review rags

Listening to a podcast yesterday, I heard a tribute to the longtime New York Review of Books (NYRB) editor Robert Silvers, who died on Monday at the age of 87. He had been editor since the first issue in 1963, with one of the founders Barbara Epstein as co-editor until her death in 2006.

nyrb

The NYRB is a major English language cultural institution, but in a way I would like to see it die with Silvers. I fear a giant media company such as Conde Nast will buy the title to exploit its legendary status. Its editorial decisions would then be determined by commercial considerations rather than the passions of an obsessed longtime editor.

Silvers' passions have defined the NYRB, and often a publication's story can be just as interesting as its content. For me the NYRB's wider story includes the London Review of Books (LRB) and Sydney's own Newtown Review of Books (NRB). Australian Book Review would qualify if it was called the Melbourne Review of Books, but it's not and therefore it doesn't.

Aside from the 'Review of Books' in their titles, what they have in common is that, in their own way, each of them is an upstart.

lrb

The NYRB was founded when a printers' strike shut down seven New York City newspapers, to take advantage of a gap in the market for book reviews. Similarly the LRB was started when publication of the Times Literary Supplement was suspended during the year-long management lock-out at The Times in 1979. Curiously the LRB was included as an insert in the NYRB for its first six months, in an umbilical cord kind of arrangement.

The NRB's 2012 'upstart' founding was a little different, more in the nature of fandom. Or perhaps 'taking the piss'. I'm never sure. It was the hobby of a couple of Newtown locals from the world of publishing and editing, one of whom is married to the 'Godfather of Australian crime fiction' Peter Corris, who write's the NRB's 'Godfather' column.

The editing of the NRB is very professional, and like its more wordy and worthy namesakes, it does takes itself seriously, though in a different way.

It has a tight discipline and invariably does what it says it does. That is 'to provide intelligent reviews of books people will want to read'. It covers a range of subject areas that is eclectic but excludes poetry and children's books.

nrb

The stylistic counterpoint to the reviews is the 'Godfather' column, and it does an excellent job in filling out the NRB's 'eclectic' brief. It's always a good read. This week's is on hair. Corris, with his hairline intact, pontificates on the comb-over and other options available to balding men.

As a hobbyist online publication that cuts a professional cloth, NRB is part of a local tradition that includes the film review site Urban Cinefile. The editors Louise Keller and Andrew Urban decided to call it a day last month after 20 years and 1040 weekly editions.

I always found their reviews every bit as compelling as those of David and Margaret. But sadly the media acolades that marked the ending of their review partnership did not, as far as I can tell, extend beyond the Manly Daily.

TV may be shallow but it keeps us together

My favourite technology writer is Farhood Manjoo, who has written the State of the Art column for the New York Times for the past three years.

In the confusing and always changing world of emerging technology, he has the ability to see and articulate what is really happening. His predecessor David Pogue wrote about how the latest gadgets make our lives easier. But Farhood Manjoo is interested in their impact on people and society.

On Air Sign

Earlier this year he wrote about the death of broadcast TV and the rise of Netflix. 'There was a lot to criticise about broadcast TV, but it brought the nation together. Streaming services are doing the opposite'.

He talks about the 'polarisation of culture' and the creation of 'echo chambers' which isolate us from our fellow citizens. 'We're splitting into our own self-constructed bubbles of reality'.

It's true. We all have digital content menus that are unique to us. They might be Netflix playlists or whatever we follow in Facebook or Twitter. They reflect of our own interests and personalities.

That might sound like a positive development. We're no longer media zombies. We're self-actualising, to use a jargon term. But, as a result, mass media is finished and it's not at all good for our society.

Reality programming and certain sporting events represent the last gasp of television and media as a glue that holds society together. Like the Melbourne Cup, they have us all acting in unison. As long as My Kitchen Rules and similar mass interest events manage to survive, there will be something to talk about at the water cooler.

But the network bosses are struggling to keep their audiences, and also the rights to the big sporting events, with telcos such as Optus starting to outbid them. With justification, they are going to Canberra to lobby the Communications Minister to cut or eliminate the licence fees they must pay to use the public airwaves.
 

freeview channels

It's easy to see society fundamentally divided in the results of last year's elections in both Australia and the US. In neither country was the system able to produce a leader who could act on behalf of the nation. That's because there was no longer a nation, at least not in the sense that we had come to know it.

History will look at the 60 years from the middle of the 20th century as the high water mark of social cohesion in the US, and also Australia. It was also the period in which the institution of broadcast television rose and fell.

'We're back to normal, in a way, because before there was broadcasting, there wasn't much of a shared culture,' says Lance Strate, a professor of communication at Fordham University. 'For most of the history of civilisation, there was nothing like TV. It was a really odd moment in history to have so many people watching the same thing at the same time.'

The devil in the unrevealed detail of the ABC's Michelle Guthrie

Cautious early commentary on yesterday's restructure announcement from ABC Managing Director Michelle Guthrie has been broadly positive.

200 mostly middle management jobs are to go. The number of internal divisions will be cut from 14 to nine, and $50 million will be made available to boost video and digital content production in regional Australia.

With ABC and other 'legacy' media audiences in steady decline, nobody disputes the need for radical change in order to confront digital disruption from the likes of Netflix and Facebook. The question is whether Guthrie is going about it the right way, and as yet it's difficult to tell.

So far, she has been light on detail, and not very forthcoming when she has been asked to explain her decisions in forums such as Senate Estimates.

When challenged to justify the ending of shortwave broadcasts, all she had to say was that there had been only 15 complaints from members of the community. Some of her interlocutors were stunned by her lack of detail, and there is no doubt there will be pressure for her to be more forthcoming in the future.

But for now, we're being left to join the dots in what could be a deliberate strategy to facilitate a slash and burn approach to reforming the ABC. In other words, the wholesale removal of functioning infrastructure that has taken many years to establish and cannot practically be rebuilt should her plans turn out to be mistaken.

Yesterday's announcement included news that the ABC's international division will be absorbed into other divisions. Does this mean that the ABC is no longer interested in providing a service to listeners in the Pacific and PNG, which it has done for many generations through Radio Australia?

It appears it does, and that it's quite significant. It's the broadcasting equivalent of cancelling the most needed part of Australia's international aid to developing countries.

The ABC has just discontinued shortwave broadcasts to the region, ostensibly as part of the move towards distribution of content through the internet. But a report yesterday on the industry news website radioinfo.com.au reveals that Radio New Zealand International (RNZI) has stepped into the void created by what is being depicted as Australia's abandonment of the Pacific and PNG region.

Radio New Zealand CEO Paul Thompson said: 'Remote parts of Papua New Guinea, Solomon Islands and Vanuatu who may be feeling the loss of the ABC can rest assured RNZI will continue to provide independent, timely and accurate news, information and weather warnings as well as entertainment to its Pacific listeners.'

Radio New Zealand came to international shortwave broadcasting only in 1990, and its CEO is obviously proud to be able to help these nations at their hour of need. This begs the converse question of why Michelle Guthrie is not ashamed that the ABC has apparently disabled its ability to provide them with assistance and why it does not matter that the ABC will no longer have a separate international division.

The ABC withdrew its shortwave broadcasts at the beginning of this year as Radio New Zealand was reasserting the need for them. Metaphorically speaking, the two broadcasters are not on the same wave length.

The Radio New Zealand CEO claims that they broadcast timely cyclone and tsunami warnings via shortwave and can continue to be heard should local FM broadcasters go off-air due to a cyclone or other disaster.

We need to hear a counter claim from Michelle Guthrie that the warnings are not vital or that they can still somehow be accessed through the ABC's online services even while there is a power cut. Or that the welfare of these people in a crisis is not the ABC's or Australia's concern.